“It makes me laugh,” he was saying, “all this newspaper talk. Every nation, properly led, fights bravely. It is the male instinct. Women go into hysterics about it, because it has not been given them. I have the Croix de Guerre with all three leaves, and I haven’t half the courage of my dog, who weighs twelve kilos, and would face a regiment by himself. Why, a game cock has got more than the best of us. It’s the man who doesn’t think, who can’t think, who has the most courage—who imagines nothing, but just goes forward with his head down, like a bull. There is, of course, a real courage. When you are by yourself, and have to do something in cold blood. But the courage required for rushing forward, shouting and yelling with a lot of other fellows—why, it would take a hundred times more pluck to turn back.” And there rose before her the vision of that other Garden of Gethsemane with, below it, the soft lights of the city shining through the trees; and above, clear against the starlit sky, the cold, dark cross.!

The effect was magical. A lank, black-haired girl, with a pair of burning eyes looking out of a face that, but for the thin line of the lips, would have been absolutely colourless, rose suddenly from behind a bowl of artificial flowers. Joan could not suppress a slight start; she had not noticed her on entering. The girl came slowly forward, and Joan felt as if the uncanny eyes were eating her up. She made an effort and held out her hand with a smile, and the girl’s long thin fingers closed on it in a pressure that hurt. She did not speak.

“He had his own private theatre,” Joan explained, “where Wagner gave his operas. And the King was the sole audience.” “And it was here that you proposed to her,” said Joan. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.